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THE CRANE WIVES

Born of the 2010’s folk boom and now comfortably stationed in their rock and roll era, The Crane Wives epitomize the evolving sound of the indie genre. Having performed hundreds of shows on stages across the country, they gravitate toward high energy melodies, featuring the kinetic percussion of Dan Rickabus, the silky, driving bass lines of Ben Zito and playful guitar leads from front women Emilee Petersmark and Kate Pillsbury. Counterbalancing their lively stage presence, their lyrics extol the shadow side of the human condition, delving into mythology and themes of darkness and inner conflict. The band softens the blows of their emotional candor with soulful three-part vocal harmonies, like a 21st century Cerberus, the hound of Hades reimagined as an emotional support animal. To date, they have released five full length albums, including their 2020 live album, “Here I Am”.

RACHEL BOBBITT

Life runs in rhythmic loops, from the endless rotations of the earth to the running of tides and yearly rebirth of spring. Rachel Bobbitt knows that the bottom of those cycles can feel pretty chaotic. “Every woman I’ve ever talked to is in some amount of pain almost all the time,” the Toronto-based singer-songwriter says. “That could be physical pain, emotional pain, familial pain, but it’s there in cycles.” On her piercing and profound new EP, The Ceiling Could Collapse (due July 15th, 2022, via Fantasy Records), Bobbitt picks through the dizzying rubble of folk and indie rock for moments of resonant emotion and frames them in heartbreaking lyrics and openhearted expanses.